Finchley Artist Craig Johnson Explores Surrealism

Finchley-based artist Craig Johnson transforms his internal world into striking photographic imagery, blending fantasy with reality. His work, characterised by surreal scenes and a fascination with light and shadow, offers him a unique form of expression and security. Johnson, who has Asperger's and identifies as neurodivergent, believes this perspective aids his artistic vision, allowing him to see things differently and focus intensely.

Johnson's artistic journey began with an early exposure to 1980s horror films and a childhood spent staging elaborate scenes. A pivotal moment occurred in 2003 when he was encouraged to exhibit photographs of cars at night, captured with slow shutter speeds to create lightning-like light effects. This exhibition, titled 'The Speed of Lights', led him to pursue formal education in the arts. He studied media at Barnet College, followed by a BA (Hons) in photography and a master’s in moving image and interactive media at Middlesex University. He also completed fine art studies at the London College of Communication.

From Garden Invasions to Underground Art

One of Johnson's notable pieces, 'Greenhouse Gas', originated from an experimental project in his uncle's garden in North Finchley. Here, he staged a 'fake alien invasion' using smoke, grass, and UV lighting. Capturing the scene with an old-fashioned camera over eight hours at dusk, he achieved a surreal effect without digital manipulation. This work was later published for the London Underground's Art Below anniversary and displayed at Oxford Circus Station.

Johnson's art is deeply intertwined with his personal experiences. He has spoken about how creating fantasy worlds provides him with a sense of safety and control. His connection to Barnet extends to a past photo competition for Barnet Council, themed around recycling, where his image featuring a recycling bin and bottle silhouettes was displayed on local bus stops.

Art as Therapy and Community Connection

Beyond his personal artistic pursuits, Johnson has a background in therapeutic support. He previously worked as a mental health specialist support worker for seven years with elderly individuals experiencing dementia. In this role, he successfully integrated art therapy, observing its positive impact on patients. Currently, he works as a bladder cancer support worker for Macmillan and continues to connect cancer patients with community art groups, highlighting the importance of art in healing and well-being.

Johnson is currently engaged in a new creative endeavour, collaborating with fellow local artist Dayvid Grant, whose work focuses on ink and surrealist drawings inspired by outsider art. Johnson expressed excitement about this project, suggesting it could yield suitable Christmas gifts.